en Cuevana3. Builds a loose narrative around a long distance conversation between a young Tibetan-American man and his Tibetan-born mother. The character wanders through a natural landscape resembling the exiled homeland of his mother, taking photographs in an attempt to “find a frame that evokes a sense of belonging.” The camera in these works is used as an instrument to reveal the impossibility for displaced Tibetan individuals to be seen in actual Tibetan landscapes.
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